Writers love books, right? Which must mean that writers love book clubs. After all, this means that people are coming together under the auspices of reading. Recently I’ve talked to several people about their book clubs – clubs of long standing, walking clubs, clubs that meet every month and those that meet four times a year. Clubs that are mainly social clubs and others that are serious discussion only. The common theme – apart from the books – was that they are all women. This started my quest for a book club for men. Turns out it wasn’t hard to find. Not only did I find a few, I found one that struck me as very special. The Short Attention Span Book Club (SASBC) located in the community of San Luis Obispo, California.
The founder, Will Jones, retired from a career in public education (high school English teacher, high school administrator, high school principal) and was interested in next steps. He first started a website called Everyday People where he posted poems he’d written and reviewed books and movies in a section called Short Attention Span reviews. From this the book club was born with the theme ‘short attention span books’ (300 pages or so). Since they started in February 2012, they’ve have only missed a few months and have read well over 50 books.
Will sounds like a lot of my friends and acquaintances who are members of books clubs. He has a lot of interests, including traveling, writing and publishing poetry and writing monthly articles for a local magazine, and spending a lot of time outdoors as a backpacker, hiker and rock climber, but he says that the “SASBC has been the most rewarding activity of my retirement because it’s a shared experience with men my age and we talk about literature! Many of us are dealing with the challenges that come with aging, so even though we don’t dwell on those health issues, there’s always a level of support and understanding. We’re a tight group.”
As an author I like books clubs because people are reading books, but my exchange with Will reminded me that books are about far more than reading. They are about connecting with people.
Will shared more details about the SASBC:
“We’ve had vibrant, rewarding email exchanges with three authors: Larry Watson (Montana 1948 and American Boy), William Giraldi (Hold the Dark), and Jess Walter (Beautiful Ruins). Larry Watson acknowledged his debt to book clubs and wrote that our club name was the best he’d heard to that point. Two local authors, John Hampsey (Kaufman’s Hill) and Franz Wisner (Honeymoon with My Brother) have attended meetings to discuss their books. We attended a Q&A with Kevin Powers (The Yellow Birds) at Cuesta College, a local community college that had chosen The Yellow Birds as its book of the year. We all got to meet Kevin and have our copies signed by him.
“I keep updating our list of possible books to read. I recently added several to the classics column that were written between 1910 and 1920 because one club member has a habit of asking which books we’re reading might still be well regarded in 100 years.
“We are a relatively homogenous group: college educated professional seniors, most either fully or partly retired. We rotate houses for our meetings, which start at 7:00 and usually end by 9:00 or 9:15. We have a great time, but there’s very little idle chit chat. We spend a few minutes sharing “what’s up,” choosing future books to read, agreeing on date and location, and then we dive into our discussion.
He included a two column list of books (attached below) they use as a resource for choosing which books to read. Books with an x next to them are books the SASBC has read (the final two are the next up in their rotation). A big hit recently was O Pioneers by Willa Cather and he notes that they will probably read the other two books in her prairie trilogy soon.
This has made me curious about books clubs – what works and doesn’t work? What are people reading and way?
SASBC Short Novels
Classic | Contemporary |
Animal Farm, George Orwell | Montana 1948, Larry Watson x |
Brave New World, Aldous Huxley x | Train Dreams, Denis Johnson x |
Cannery Row, John Steinbeck x | Lying Awake, Mark Salzman |
Farenheit 451, Ray Bradbury | Waiting for the Barbarians, J. M. Coetzee |
The Great Gatsby, F. Scott Fitzgerald x | A Sport and a Pastime, James Salter |
Heart of Darkness, Joseph Conrad | Solo Faces, James Salter x |
Night, Elie Weisel | The Bluest Eye, Toni Morrison |
Red Badge of Courage, Stephen Crane | Farmer, Jim Harrison x |
The Stranger, Albert Camus | A Prayer for the Dying, Stewart O’Nan |
Things Fall Apart, Chinua Achebe x | The Dew Breaker, Edwidge Danticat |
Their Eyes Were Watching God, Zora Hurston | After Dark, Haruki Murakami |
Of Mice and Men, John Steinbeck | Out Stealing Horses, Per Petterson |
Disgrace, J.M. Coetzee x | Charming Billy, Alice McDermott x |
O Pioneers, Willa Cather | The Road, Cormac McCarthy |
The Sun Also Rises, Ernest Hemingway x | Play It As It Lays, Joan Didion x |
The End of the Affair, Graham Greene | Grendel, John Gardner |
Appointment in Samarra, John O’Hara x | Chronicle of Death Foretold, Garcia Marquez |
The Maltese Falcon, Dashiell Hammett | We Don’t Live Here Anymore, Andre Dubus |
Our Town, Thornton Wilder (Play) | The Soloist, Mark Salzman x |
The Call of the Wild, Jack London x | Amsterdam, Ian McEwan |
The Catcher in the Rye, J. D. Salinger | On Chesil Beach, Ian McEwan |
The Power and the Glory, Graham Greene x | Saturday, Ian McEwan x |
Franny and Zooey, J. D. Salinger x | The English Major, Jim Harrison x |
Day of the Locust, Nathaniel West | An Imaginary Life, David Malouf |
Bridge of San Luis Rey, Thornton Wilder | Remembering Babylon, David Malouf x |
The Awakening, Kate Chopin | The Sense of An Ending, Julian Barnes x |
Portnoy’s Complaint, Philip Roth | In the Lake of the Woods, Tim O’Brien |
Slaughterhouse-Five, Kurt Vonnegut x | March, Geraldine Brooks |
Dharma Bums, Jack Kerouac | The March, E.L. Doctorow x |
One Flew Over the Cuckoo’s Nest, Ken Kesey x | Regeneration, Pat Barker |
Cathedral (SS), Raymond Carver x | The Yellow Birds, Kevin Powers x |
Dance of the Happy Shades (SS), Alice Munro | American Boy, Larry Watson x |
Wide Sargasso Sea, Jean Rhys | If the River Was Whiskey (SS), T.C. Boyle x |
The Old Man and the Sea, Ernest Hemingway x | Wild, Cheryl Strayed x |
Rabbit, Run John Updike x | Billy Lynn’s Long Halftime Walk, Ben Fountain x |
A Death in the Family, James Agee | Beautiful Ruins, Jess Walter x |
My Antonia, Willa Cather | Plainsong, Kent Haruf |
Death Comes for the Archbishop, Willa Cather | American Romantic, Ward Just x |
The Ginger Man, J.P. Donleavy x | Narrow Road to the Deep North, Richard Flanagan x |
The Winter of Our Discontent, John Steinbeck x | A Bend in the River, V.S. Naipaul x |
Ask the Dust, John Fante x | Hold the Dark, William Giraldi x |
The Turn of the Screw, Henry James | Straight Man, Richard Russo x |
O Pioneers! Willa Cather 2/16/17 | Jesus’ Son, Denis Johnson |
Breakfast at Tiffany’s, Truman Capote | West of Sunset, Stewart O’Nan x |
A Clockwork Orange, Anthony Burgess | Kauffman’s Hill, John Hampsey x |
The Big Sleep, Raymond Chandler | Honeymoon with My Brother, Franz Wisner x |
Siddhartha, Hermann Hesse x | The Tiger: A True Story of Vengeance and Survival, by John Vaillant |
100 Years of Solitude, Gabriel Garcia Marquez x | The Mersault Investigation, Kamel Daoud |
One Day in the Life of Ivan Denisovitch, Fyodor Dostoevsky | Silence, Shusaku Endo x |
The Ghost Writer, Philip Roth | When Breath Becomes Air, Paul Kalanithi x |
Metamorphosis, Franz Kafka, 201, 1912 | City of Secrets, Stewart O’Nan x |
Howard’s End, E.M. Forster, 246, 1910 | The North Water, Ian McGuire x |
A Portrait of the Artist As a Young Man, James Joyce, 329, 1916 | SoHo Sins, Richard Vine x |
Ethan Frome, Edith Wharton, 128, 1911 | Razor Girl, Carl Hiassen 4/20/17 x |
The 39 Steps, John Buchan, 100, 1915 | Underground Railroad, Colson Whitehead 5/18/17 |
Winesburg Ohio, Sherwood Anderson, 240, 1919 | Nothing to Be Frightened Of, Julian Barnes 6/15/17 |
The Moon and Sixpense, Somerset Maugham, 204, 1919 |
(This post appeared simultaneously on MissDemeanors.com)