When writing is like Olympic Training

art paper menIf you are my agent or my editor you should stop reading. Or pour a stiff drink before continuing. Seriously.

Two days ago I was on the final, tweak-the-ending home stretch of the sequel to Swiss Vendetta. Then yesterday happened. First my husband read the draft. He was very complimentary but pointed out a few details for consideration (I have to listen to him since he’s Swiss and that’s where the books are set) and had a few questions. After these discussions my mind rolled through the solutions and I have a tendency to overcompensate. If someone says “I wonder if you should trim so-and-so’s role.” I think maybe I should cut them altogether and streamline the entire theme. You can see where this heads…. After this conversation I’m in full questioning/realigning mode.

But that’s not what really did me in. Truth be told, I can lay blame at the feet of a specific person. Christine Stewart. She is a friend and fellow writer (also a professional editor and consultant aka TheRealWriter) and is a great Beta reader for me. I’d sent her an email the evening before asking if she had a window of reading time available. I hit send and went back to work. Once my husband had my mind whirring I thought: What will Christine think about the draft? And it came to me. I knew exactly what she would say. And I started to reorganize. Mainly it’s the opening, and then how things cascade afterward, it’s not a change of story or of character or place, still….. In Olympic Games’ terms I suppose it’s like hitting your peak at training, with your bags packed for the Games, only to be told the Games have been rescheduled and are still six months out and you have to keep training at peak condition all that time. What? I was nearly finished, ready for the victory lap! Now it’s time to get back in the water and keep swimming. After all, in six months you will likely be an even better athlete…. To round out the metaphor I’m sure this will be a much better book.

Now, back in the water…..

(I also blog at MissDemeanors.com)

 

The characters we create

My friend Michele Dorsey just shared her thoughts about characters and it started me thinking.

My father and I wrote a few books together and it wasn’t unusual during a meal in a restaurant for one of us to tap the other and say…. Look! Big Frank or The Lizard (or one of our characters) just walked in. The conversation would go from there…. he’s lost weight, no it’s just the clothes he’s wearing. Did he come on his motorcycle? It is still amazing to me that we could have these conversations without batting an eye, as if that someone across the room was a relative we hadn’t seen for a few days or years. Even minor characters had an entire life not on paper that we could discuss as easily as we talked about a family reunion. Sometimes you think…. this can’t be normal. Have I left reality? Then you say, who cares.

(To read all of Michele’s thoughts…. read her post at Missdemeanors.com)

Thoughts on a national day

cows and chocolateIn the 18th century Switzerland was one of the only republican political systems. In the American Colonies, when drafting the Constitution and Bill of Rights, the Founding Fathers, especially John Adams, James Madison and George Mason, were inspired by this social and political organization. Ironically, it was only fifty years later when, in 1848, the Swiss adopted a new Constitution. In creating it they adopted many of the American features including the two-chamber system and representative democracy.

Happy 725th birthday Switzerland….. 725 years of evolving, while staying true to yourself.

Taglines.

all forms of writingI need a tagline. Something appropriate for, let’s say, a bookmark. Put differently, I have to distill my entire book, the product of hours, days, months of work, into a few words. Not necessarily a sentence. A few words that suggest a sentence.

If you are a marketing professional you might jump on this opportunity. Headlines! Titles! Taglines! Short, snappy and full of punch. This is the reason I am not in marketing. It is also the reason I haven’t written any short stories. They are, to be clear, too short.

Actually this exercise is one long flashback to writing the summary section of my query letter. (Deep breath, that one worked, surely I can conquer this hurdle.) Hmmm. Maybe I should look at that letter again and Wordle it?

I’ve read that a tagline is mission, promise and brand. Give me 5,000 words and I can bring it home for you. Actually, right now, I’d settle for 300 words, since I’m staring 3-7 in the face.

In a perfect world I would have worked my way through this problem to end this paragraph with my tagline. Instead, I will end with the decision to go back to writing my next book. Never thought I’d say that the need to write a few thousand words sounded comforting.

 

 

 

 

The spoken word… you still have to write it.

Dialogue. Dialect. It’s all spoken and it’s harder to write than it appears. I ponder this as I write a book set in a foreign country. Do a few foreign words convey the sense of place? How much is too much? Certainly Hercule Poirot seemed a native French-speaker with only a few well-placed words such as sirop and pour ça. The great writer Louise Penny makes her English speaking Francophones stand out while blending in. Once, in an interview, she confessed to surprise when counting the number of foreign words she dropped in her novels. Surprise is probably a good thing. Not too many, not too few…. Just right.

IMG_3070Recently I discovered the Vish Puri mysteries written by Tarquin Hall. I bought the first one at a hotel in Delhi, on the recommendation of the bookshop owner, and was immediately gratified. Hall is a Brit living in Delhi, where his hero resides, and the nuance of Indian English used by his characters is an immersion into their world. Of course, this isn’t dialect – it is the English of the country – however, it is dialogue that hints at more than the words themselves convey.

Now back to writing dialogue and hoping for more than simply speech.

 

 

The Dreaded Word Count

Does it help to count? The first 1,000 words of a new book are the hardest (and the most thrilling when they are DONE!). No more blank white page. You know where the story starts (in this draft at least) and you’re off and running. The next ten thousand slip by, then you re-group. Move through with edits and the beginning is richer, more detailed (in my case, real names for minor characters in lieu of Monsieur ABC and Madame XYZ). Thousands more words. Yippee!

typewriters 7.25.2016On the other hand, there are days when you edit and see the words disappear. 32,032 is now 27,501. Yikes. I frantically do the math: How did I cut 16%? Why? A blood-letting. Now I question my judgement: maybe I didn’t need to trim that scene, cut that chapter, edit that description.

There have been darker days:  When the manuscript was complete and in the hands of the publisher and I knew deep down in my heart that I needed to cut several characters and trim trim trim (okay, surgically remove) an entire theme or two. It felt dangerous. What if I couldn’t fit it all back together again? This was major surgery, none of your outpatient stuff. In the end I learned a good lesson…. Just do it. Have a plan—this isn’t willy-nilly cutting to see what happens—and keep track of what is cut and moved, and what is now missing and will have to be redistributed to other characters and descriptions. But do it.

After I cut and redistributed and in-filled I ended up with a few thousand more words. By then the word count didn’t matter, but it illustrated that if I aimed for the best book the rest would follow. I’m trying to keep this in mind….. and not care that today’s work feels like driving in reverse.

Atmosphere and Authenticity

writingSetting the scene… in my case Switzerland. How much is too much; how much is not enough? I have several friends who don’t ever finish their great American novel, often because they keeping digging in for more detail, more perfection, just more! (Even more editing, which often means ‘less,’ then they need ‘more’ again. Argh!)

There is no magic formula to finding the balance between setting the scene and overburdening with detail, a writing reality that I am contemplating today as I develop several minor characters. (Confession here….. they develop in situ, meaning the draft is well underway but the characters are shifting as the plot develops). Because Switzerland draws residents and visitors from around the world each of these characters very deliberately comes from a different country and a different culture.

I have the good fortune to be in India for the moment and am concentrating on a character from that country. I’ve visited India many times and have a sense of ‘my man’ but each time I speak with someone a little detail is added, or a detail is questioned. It is easy to slip down the rabbit hole and have more backstory than is necessary and I feel myself asking: is this enough?

In the end, the magic formula is likely all the details that we as writers think of before mentally paring to just enough for the reader to visualize. This allows the reader room to insert their own experiences and dreams. That said….. maybe I should go speak again with my hosts, learn a little more, and add a few more details to ‘my man’!